Q&A with emerging artist Niamh Ginger
Please tell us a little about your background
I was born 1995 on the outskirts of London. Growing up close to the city i had an incredible admiration to move closer to the art scene. Studying Fine Art since 2011, i have been awarded multiple high level certificates most notably receiving my BA Fine Art Diploma from Middlesex University.
What do you aim to achieve with your art?
Since 2011 i have experimented with a diverse practice in sculpture, painting, print making and drawing to explore the connection between the artist and existence, describing that as “art has no limitations”. The ability to effortlessly illustrate survival in this world makes for a magnificent piece each time. My subject within my work is not always clear to the viewer but the challenge the viewer faces while dancing their eyes around the piece makes for a curious challenge between contemporary beliefs and the hesitations to discover more about the subject, thus using the viewer as my main propeller. I enjoy making it playful and uncertain.
Your style
My practice aims to continue the traditions of Western still life painting whilst altering them in a contemporary manner. Abstracting the three dimensional form and colour from a subject in order to create an entirely new perspective and understanding. The somewhat claustrophobic and crowded compositions aim to remain ambiguous although they are approached with deliberate intent.
Your artistic objective
I want to continue my daily art practice and eventually be able to be a full time artist.
Your philosophy
You must become best friends with your practice. You must learn to paint in whatever mood you are feeling. Have arguments with your work, fall in love with it, go on adventures with your emotions.
Niamh Ginger ★ Artist resume
My practice aims to continue the traditions of Western still life painting whilst altering them in a contemporary manor. Abstracting the three dimensional form and colour from a subject in order to create an entirely new perspective and understanding. The somewhat claustrophobic and crowded compositions aim to remain ambiguous although they are approached with deliberate intent. With key focus on interior design of the 20th century, such as repeating pattern and trending objects. This conceptual influence brings a sense of a ‘scene’ into my paintings which creates a shared recognition between myself, the viewer and the painting itself.
Thank you, Niamh.
Instagram: @niamh.ginger
